Monograph — Catalogue raisonné Plate No. XLII / MMXXVI
A contemporary practice · Works on paper & on canvas

Anika Bose,
on painting.

Oil, gouache, and small drawings on handmade paper. Studio in Baroda, IN.

MediumOil on linen & gouache on paper
StudioBaroda, IN
Represented byChemould Prescott Road, Mumbai
Correspondencestudio@anikabose.art
Enter the catalogue
Chemould Prescott Road, Mumbai, 2024Art Basel Hong Kong, 2025Gasworks, London, 2023Kochi-Muziris Biennale, 2022Devi Art Foundation, 2021Kiran Nadar Museum of Art, 2022Latitude 28, New Delhi, 2023 Chemould Prescott Road, Mumbai, 2024Art Basel Hong Kong, 2025Gasworks, London, 2023Kochi-Muziris Biennale, 2022Devi Art Foundation, 2021Kiran Nadar Museum of Art, 2022Latitude 28, New Delhi, 2023
I.

The artist,
in her own words.

Biography · Studio note

Contemporary artist working in oil, gouache, and drawing. Trained at the Faculty of Fine Arts, MS University Baroda (M.F.A. 2016) under Rekha Rodwittiya. Represented by Chemould Prescott Road, Mumbai, since 2021.

Her work has shown at the Kochi-Muziris Biennale, Devi Art Foundation, and in two solo presentations at Chemould. Works are held in the Kiran Nadar Museum of Art and the Pompidou Foundation collection, Paris.

She paints interiors that feel like almost-remembered rooms, and keeps a separate daily practice of small drawings made on trains and at breakfast tables.

Primary medium

Oil on linen & gouache on paper

Currently in the studio

A new body on enclosed courtyards and gardens, to be shown at Chemould in winter 2026.

Represented by

Chemould Prescott Road, Mumbai

Collections

  • Kiran Nadar Museum of ArtNew Delhi
  • Devi Art FoundationGurgaon
  • Pompidou FoundationParis
  • Tata Trust CollectionMumbai

Languages

English · Bengali · Hindi · Gujarati ·

06
Solo exhibitionsChemould, Latitude 28, Gasworks, Galerie Mirchandani.
34
Group showsAcross India, UK, Hong Kong, and France.
12
Works in museumsKNMA, Devi, Pompidou Foundation.
08
Years in practiceSince M.F.A., Baroda, 2016.
II.

Selected plates.

From the catalogue raisonné
Plate No. 0012024

Still Lives of Absent Rooms

Twelve paintings made between 2023 and 2024. Interiors, half-remembered, painted from the shoulder. Shown in full at Chemould Prescott Road, April 2024, and in part at Art Basel Hong Kong, 2025.

MediumOil on linen
Dimensions60 × 90 cm to 180 × 220 cm
EditionUnique, 12 paintings
ProvenanceChemould Prescott Road, Mumbai
Plate No. 0112023

Small Weathers

Eighty-four small works on paper made in London during a three-month Gasworks residency. Exhibited at Gasworks and later at Latitude 28, New Delhi, September 2023.

MediumGouache on handmade paper
Dimensions20 × 28 cm each
EditionUnique, 84 works
ProvenancePrivate collections · UK & India
Plate No. 0212022

Notebook Drawings

Eighty-four small drawings made on trains and at breakfast tables across 2022 and 2023. Shown at the Kochi-Muziris Biennale, 2022, and acquired in part by the Devi Art Foundation.

MediumGraphite & watercolour
DimensionsA5 & A6, loose-leaf
EditionUnique, 84 drawings
ProvenanceDevi Art Foundation & private
Plate No. 0312021

The Coromandel Series

A series of eight paintings on ply panels produced in 2021. First major body after the M.F.A., responsible for the first Chemould acquisition. In the Kiran Nadar Museum of Art since 2022.

MediumOil & lacquer on panel
Dimensions120 × 120 cm each
EditionUnique, 8 paintings
ProvenanceKiran Nadar Museum of Art
III.

Exhibitions & residencies.

Solo · Group · Biennale
2025

The Soft HourSolo exhibition

Chemould Prescott RoadMumbai
Solo
2025

India RememberedGroup show, curated by Ranjit Hoskote

Art Basel Hong KongHong Kong
Fair
2024

Still Lives of Absent RoomsSolo exhibition

Chemould Prescott RoadMumbai
Solo
2023

Small WeathersClosing show, Gasworks residency

GasworksLondon
Group
2022

Notebook DrawingsIn the Open, curated section

Kochi-Muziris BiennaleKochi
Biennale
2021

The Coromandel SeriesSolo exhibition

Galerie Mirchandani + SteinrueckeMumbai
Solo
2020

HouseholdKhoj International residency, closing show

Khoj StudiosNew Delhi
Group
IV.

A life in practice.

Residencies · Teaching · Studio
2018 — Present

Studio practicePrimary practice

Full-time studio practice. Producing one body of work per year, typically 14–18 paintings and 60–80 works on paper. Six solo presentations in eight years.

Oil on linenGouacheDrawingMonotype
Independent studio, BarodaBaroda
Studio
2023

Artist-in-residenceInlaks Fellowship

Three-month research residency supported by the Inlaks Shivdasani Foundation. Produced the series “Small Weathers” shown at the closing exhibition.

ResidencyResearchWeather series
Gasworks, LondonLondon
Residency
2020

Artist-in-residenceKhoj Household program

Three-month residency with five artists under the curatorial prompt “Household”. Body of work shown at the closing exhibit; reviewed in Art India.

ResidencyGroup showDomestic
Khoj International Artists’ AssociationNew Delhi
Residency
2019 — 2022

Visiting facultySecond-year studio

Co-taught the second-year painting studio for three consecutive cohorts. Continues to offer critique to current M.F.A. students.

TeachingPainting studioCritique
Faculty of Fine Arts, MSU BarodaBaroda
Teaching
V.

Artist’s statement.

A note on the work

The rooms I paint are not rooms I have lived in. They are rooms I have almost lived in, or think I have, or would have, had something gone differently on a particular afternoon.

Painting, for me, is a way of sitting with that almost. The light is wrong on purpose. The furniture is closer to memory than to measurement. The work is finished when the room forgets I was there.

Anika Bose, Baroda, IN, 2025
Bose paints a kind of domestic amnesia — rooms that are almost ours, almost empty, almost about to be entered. Her new work at Chemould is the best painting I have seen out of Baroda this decade.
Ranjit HoskoteArt India, Summer 2024
The notebook drawings are their own achievement — small, unguarded, and unafraid to be minor. In a moment when ambition is measured in square metres, this is quiet, strong work.
Girish ShahaneThe Hindu Sunday Magazine, March 2023
A gouache language that owes less to Baroda and more to seventeenth-century Mughal painting, reworked through the temperature of a Baroda afternoon.
Nancy AdajaniaTAKE on Art, Issue 36, 2022
I have watched Anika’s practice for six years. Each show is more confident, more refused, more itself. She is one of the important painters of her generation in South Asia.
Shireen GandhyChemould Prescott Road, April 2024
VI.

Of the hand.

Disciplines · Materials
Oil on linenGouacheGraphite drawingMonotypeLinen preparationHandmade paperColour mixingInstallation Oil on linenGouacheGraphite drawingMonotypeLinen preparationHandmade paperColour mixingInstallation
Oil on linen9 years
Gouache on paper12 years
Graphite drawingDaily practice
MonotypeKhoj residency
Linen preparationTraditional sizing
Installation & hangingSix solo shows
VII.

Training & honours.

Schooling · Prizes
2016

M.F.A. PaintingM.S. University, Baroda

First class with distinction · Lalit Kala ScholarshipM.S. University, Baroda
Degree
2014

B.F.A. PaintingSir J.J. School of Art, Mumbai

Distinction · Gold Medal, Dept. of PaintingSir J.J. School of Art, Mumbai
Degree
VIII.  Colophon

Write, or visit.

Studio visits by appointment. Commissions considered. The letter, always preferred to the email, but the email is read.

Lettersstudio@anikabose.art Directoryhttps://artsy.net/artist/anika-bose Studiohttps://anikabose.art
— Anika Bose, Baroda, IN