The Long Wait.
Three-year documentary on the women of Sassoon Dock. Cut and graded over eight months.
A cut is a sentence — the second you can hear it, you can fix it.
A standing rule of the suiteThree-year documentary on the women of Sassoon Dock. Cut and graded over eight months.
Single Steadicam take through Marine Drive at sunset. One master, one alt, vertical for socials.
The women of the small-parcel desk at Bombay Central Post. Subtitled Marathi · Hindi · English.
Three-part anthology for the Tata Tea Premium Strong rebrand. Cinema, broadcast, social.
Three monologues from second-hand 501 owners across Bombay, Bangalore, Manipur.
Three-minute sizzle cut from the first 60 hours of the feature. Locked financing in a week.
96-minute doc on the women of Sassoon Dock. Three-year shoot, eight months in the assembly.
Four DJs across Bombay, Berlin, Goa. Cutting 320 hours down to a 78-minute first cut.
Standing chair for long-form brand and music video work. ~12 pieces a year.
We edit on Resolve. Grade in the same room. Conform at sunrise. The rest is sound, story, and the long slow process of holding the cut until it stops asking for changes.
2024Best Edit nominee · MAMI Mumbai — The Long Wait · 2023Official Selection · IFFK · Kerala — Counter Service · 2021Editing Fellow · Sundance Edit & Story Lab — Park City · 2022Best Long-Form · Goafest — Tata Tea · One Cup · 2017PG Diploma · Editing · FTII Pune — Honours ·